Representing Magic Realism with Events and Details in Chitra Banerjee Divakaruni’s The Mistress of Spices | Original Article

ABSTRACT:

This paper is endeavor to see literature as some reality connecting things together with the utilization of English language as an essential methods for correspondence to split away with all hindrances with an attention on Indian Writing as a seed planted rather profound established during the British standard in India enabling it to blossom as an evergreen tree with fragrant blooms and fruits in such an approach to offer voice to the feelings of Indians in general and Indian writers in particular, who did significantly contribute a great deal to Indian literature in order to take it on the map of world literature with an emphasis on the commitment of the Trio M.R.Anand, Raja Rao and R.K.Narayan and to demonstrate how fantasies and magical realism. In this present technologically superfast world, where the snap of catches is changing the manner in which individuals think, plan and execute their works and live their lives, computer generated reality, surrealism, hyper reality are the terms in vogue. They are so regularly utilized wherever that they may not appear to be fanciful any more. Nevertheless, the fervor in superstitions, magic mysticism still prevails. India has consistently gotten the creative mind of foreigners as the place where there is shrouded secrets – it is seen as a center point of astronomical vitality and developing super power. The mystery of Ayurvedas, the assortment and depth in art forms like dance and music are similarly appealing as Kamasutra and Yoga. The conjunction of various religions, cultures, languages has consistently been a wellspring of awe. The celebrations, the rituals and the legendary significances keep the attraction alive. Historically significant monuments, the design and the cuisine beat the positioning of our nation over the globe.