The Ideas Developed In This Paper Bring Out an Informative Relevance of Auteur Theory, Its Origin and Development In the Cinematic Progression of Acceptance and Rejection, Deconstructing the Age-Old Notion of Established Parameters. Here, It Is Stated How the Role of Director Is Significant, Likened to a Writer or Painter, Who Not Only Understands the Prevalent Consciousness of the Taste But at the Same Time Recreate a Logical, Philosophical and Cinematic Discourse With the Camera Which Enters into the Cinematic Representation of Characters, Situations and Symbolism.